Paintings

“Everyone Wants Kristi on Their Walls,” the headline proclaimed. And what people want on their walls are the colorful paintings that have become Kristi Ylvisaker’s signature work. These were painted between 1985 and 2004.

 

 

 

Town Hall mural, Sogndal

100 X 250cm

 

 

Ylvisaker Library, Concordia College, Moorhead, MN

180 X 70cm each

 

Notary Public Wedding Chamber, Sogndal

130 X 90cm

 

 

Muted abstract, oil

25 X 29cm

 

 

Deep Blue, oil

25 X 36cm

 

 

Muted abstract, oil

25 X 29cm

 

 

Red abstract, oil

25 X 33cm

 

Arch

70 X 90cm

 

Dance

90 X 70cm

 

 

Landscape

60 X 80cm

 

 

 

Under the surface

50 X 70cm

 

 

Avalanche

120 X 90cm

 

 

Dreamscape

80 X 100

 

 

Landscape

50 X 70cm

 

 

Glacier landscape

90 X 130

 

 

Glacial crack

80 X 60

 

 

Agnes

70 X 60cm

 

 

Hanging Valley

100 X 80cm


 

 

Six Generations

33 X 25cm

 

 

Comforting

80 X 60cm


 

 

Word Art 1

80 X 60cm

 

 

Word Art 2

80 X 60cm

 

Overview of Site

 

Current Works:

Kristi’s brilliant work, so pure and emotional, projects the scope, the scale, the per-spective of grand space. When I look at her paintings I feel as if I am breathing the air, with no end to the canvas.” Bev Weismann, Iowa City, IA, USA

      All these oils on canvas have been painted since 2005 and exhibited in Norway at a number of galleries. The majority are now in private collections throughout southern Norway.

Early Works:

The first seven paintings are examples of work Kristi Ylvisaker did while in college. The bust and the self-portraits were created while a graduate student. The next group were painted while she lived and studied at Woodstock in 1968  and in New York City 1969-1970. The final two paintings were done during her early years in Norway.

Paintings:

“Everyone Wants Kristi on Their Walls,” the headline proclaimed. And what people want on their walls are the colorful paintings that have become Kristi Ylvisaker’s signature work. These were painted between 1985 and 2004.

Drawings:

Kristi Ylvisaker has illustrated with drawings three published books: A Time for PeaceFor Everything A Season: 75 Blessings for Daily Life, and Beyond the Dead End: A Memoir. In addition, drawings of farm animals have appeared in many of her exhibits. 

Foremothers:

“The daily round on the farm has given me knowledge of the labor and life my great grandmother must have lived,” Kristi wrote about this exhibition created for the 150th anniversary of the major emigration of Norwegians from their homeland.

Family Portraits:

“Family Portraits,” created in 1999 in collaboration with Joan Stuart Ross, Seattle, WA, artist, as a follow-up to “Foremothers,” was exhibited across Norway before being shipped to the United States where it toured in 2000. This page features a number of Kristi Ylvisaker’s contributions to the exhibit.

Through the Tunnel:

Kristi Ylvisaker watched as workmen carved a tunnel through the mountain just across the lake from their farm. The tunnel became for her a metaphor for the painful physical process one goes through giving birth and metaphorically the process of creative or psychological birth. Here are seven of the nine paintings comprising the series.

Nude Truths: An Odyssey in Poetry, Painting, and Prose:

Created in collaboration with her sister, writer Mary Ylvisaker Nilsen, and based on the poetry of Denise Levertov, "Nude Truths," through 24 large paintings, leads the viewer on a cycle from innocence, into the dark places of life, and out into awe.

Cave Paintings:

A recurring theme in Kristi Ylvisaker’s drawings, since she began using her farm animals as models, is inspired by the cave paintings of Lascaux and Chauvet in France. An exhibit of these drawings traveled to the United States in 1995. She has turned the cellar under her home into an ancient cave and also has cave murals in her gallery.  In addition, she did a commissioned cave spa in Des Moines, IA.

Cards:

In 2000 the L.C. Lions Sogndal Løvetann commissioned Kristi Ylvisaker to paint one of the area historical churches. They created greeting cards from the painting, which they sold to aid charity. They also auctioned off the painting. For three more years they had paintings made of the other area historical churches, and after that suggested themes for the paintings.